Michael Kosch

BIOGRAPHY

 

Michael Kosch is currently writing a new music-theater work called Watergate, based on the 1970’s political scandal that drove President Richard Nixon from office. Selections from The Festival of the Vegetables, his

collection of solo piano pieces and light verse, premiered at Riverside Church in Manhattan in 2004. His music-theater work The Elementary Principles (Colorized Version), for which he wrote the libretto and music, received its first full performance at HERE Arts Center in Soho in October 2002. In 1998 Kosch’s music-theater work Eight Great Lives, for tenor, narrator, and pianist, opened at the Linhart Theater in Greenwich Village, NYC.

Kosch’s instrumental music has been playd by the Saint Paul Chamber Orchestra, the Kronos Quartet, Zeitgeist, Giverny, Harmonia Mundi, the Northstar Brass Quintet, and the Buffalo New Music Ensemble, and has been programmed in New York at the 92nd Street Y, the Kitchen, Roulette, the Dia Center, the Alternative Museum, Dance Theater Works, New York Theatre Ballet and the Stephen Gang Gallery. In other cities, his work has been featured at the Walker Art Center (Minneapolis), DiverseWorks (Houston), MoMing Dance and Arts Center (Chicago), the Bowdoin Festival of Contemporary Choral Music (Maine), The Charles Ives Center (Danbury, Connecticut), The Composers Conference (Wellesley, Massachusetts), and the Humboldt State Arts Festival (California).

He has received two commissions for dance works from the American Dance Festival, in addition to commission from the Maelstrom Percussion Ensemble, the Bach Society Chorus, singer/actor Thomas Devaney, and the University of Illinois Experimental Music Studios. Mr. Kosch’s awards include a Bush Foundation Artists Fellowship, a McKnight Fellowship in Music Composition, a Rockefeller Foundation /Intermedia Arts Interdisciplinary Grant, a Minnesota State Arts Board Grant, and numerous grants from Meet the Composer, ASCAP, and the American Composers Forum. He has collaborated with the choreographers Pooh Kaye, Stephen Koester, Julie Hall, Cynthia Stevens, and Rachael Kosch, and with the New York-based theatre companies Ridge Theater and the Metropolitan Playhouse.

Kosch’s timpani solo, Hand Held Shots, is published by Ludwig Music Publishers. His recordings include Highland Dances for piano on the CD Building Higher Nests (INNOVA), and Glimpses for electro-acoustic tape on the collection In Celebration (University ofIllinos). His work Colatudes, for Coke bottles and cans, was released on the CD Sonic Circuits VIII (INNOVA).

Michael Kosch was born in Paterson, New Jersey. He earned degrees in music from the Univeristy of Miami and the University of Illinois, studying composition with Ben Johnston, Salvatore Martirano, Morgan Powell, and Dennis Kam. He lives in New York City.

 

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